In the last issue of the Creative Screenwriting Magazine a new series started: “Know your show”. It is about spec script writing for running shows to get a writing assignment.

The show market in the United States is a really tough one, in the rest of the world the topic of spec script writing is definitively a topic, but can´t really compete with it (just take a look how many U.S. shows are running on TV and how many of your own country).

So right now is the best moment to write, or better, to pitch a spec script for a running show to get a foot into the business and, if you are lucky, get a writing assignment. Most of the shows final episodes have hit TV, so if the show is still hot enough a spec script could be a huge chance.

The article is really worth reading, especially the tips on how to watch a show and analyze it so that you can hit the tone and the structure of that show in your spec script. Here is a quote of the article:

» Tape, TiVo or take good notes while you watch several episodes of your chosen show. Get scripts and read them. Break an episode down into acts and scenes. Beside each scene, write down the beat, a brief description of what happens. Generally, an hour-long drama will have 13 to 15 beats.

» Break the show down into the A, B and C story lines. then take note of the plot and subplots. Eventually a pattern will emerege. This will become your template for the show.

» Think about which characters stand out for you. Consider the tone of the show. Does it have a strong central voice, and if so, what is it and how is it expressed?

» Are the story lines resolved in each episode or is it serialized? If it´s serialized, decide how you plan to handle that.

» Take note of the set pieces the show might include in its format week after week, as well as any other repeating elements. Does the show usually open with a tesaer? How long is it? Don´t forget to include those elements.

» Now that you´ve been watching for a while, look at the big picture. Decide for yourself what the show is about. What´s the premise? What problem is the show set up to solve or explore? How can you interpret this on a level that resonates for you personally and excites you as a writer? Now you´re ready to come up with your springbord, the premise that will set your spec episode apart.

[Creative Screenwriting Magazine, Vol. 14. No. 6, P. 51]

I believe that those tips are not only helpful if you want to write a spec script for a show, if you keep your eyes open when watching a movie (especially bad movies that don´t suck you in too much) it can be a good practice to analyze them. Try to identify the inciting incident, the different plot points, foreshadowing and pay off, etc.

By doing that you get a better understanding on how movies are structured and when each action or twist has the most impact (or could have a better impact if placed somewhere else). Quite often i´m struggling not to over-analyze movies since i want my attention on the story, not on the movie structure…

I´m really looking forward to reading the next part of the series “… Write it like a pro”.

Sunday evening season 2 of Dexter was wrapped up with the ingenious episode “British Invasion”.

In my opinion Dexter is one of the most exceptional and outstanding series ever, the characters are so well constructed, deep and disrupted. Almost everyone has to deal with tremendous personal flaws and weaknesses, and like in no other series the character development is overwhelming.

In the first season Dexter found out who he is, why he became this unique person, his origin. In the second season Dexter was confronted with who he is, his dark side and he even found a person who he can talk to, who understands him.

To quote the TV Addict, the last episode
was an incredibly satisfying finale filled with TiVo-worthy character moments for virtually every one of our favorite Miama cops.

I´m really curious what the next season will be about, i decided not to order the books because i don´t want to spoil the experience of watching the third season.